Mike Makes Your Day II
The Philadelphia Story
* In the 1950s, Arthur Godfrey introduced the concept of a "family of regulars" to daily radio and television.Mike Mike pioneered the "co-host" strategy of bringing on a single celebrity (or performing group) to spend the entire week with him. Rarely were they names from the big screen but good, comfortable TV folks with whom we were familiar. The week of Oct. 10, 1966, provides a sample. The Mike show in Daytona Beach featured his old buddy Jimmy Dean as co-host. In Jacksonville, we saw Rosemary Clooney. In Tallahassee, it was Chuck Connors. In those days, the videotapes had to be "bicycled" from station-to-station and the very small cities would get the final bicycle six weeks after taping. On the big wall behind the conversation set, the name would change every week. If the co-host was Jim Nabors, the wall would read MIKE & JIM.

MikeWe all felt as if we were rooting for the hometown boy when Mike's tribute to fatherhood, The Men in My Little Girl's Life climbed to #3 on the Billboard charts. He sang it on The Ed Sullivan Show to a spirited reaction. CBS noticed him. During the 1966-67 season, Mike was brought on as a guest co-host twice with Allen Funt on Candid Camera. In the spring of 1967, Mike was tapped as a celebrity player on the CBS Monday night version of Password. Goodson-Todman would also bring Mike on as a guest panelist in the waning days of the Sunday night version of What's My Line?. Mark Goodson frequently remarked how Mike would make "a great game show host" for the G-T family (but his talk show was becoming too lucrative). The year 1968 was a big one for Mike: he sat in for Johnny Carson on one of the many Mondays Johnny was away from The Tonight Show. He became the first daytime performer to win an Emmy for Outstanding Achievement in Daytime Programming. And to solidify his stamp on American television, TV Guide splashed Mike on its cover (though that issue is still not included in the magazine's online cover gallery).

By this time, The Mike Douglas Show had moved to Philadelphia in a bizarre series of circumstances. The FCC had ruled a legal technicality between Group W and NBC forced the two entities to swap their stations, call letters and all, in Cleveland and Philadelphia. So, the entire Mike Douglas team packed up for Philly in 1965 and, after a short term in the station studios, converted to color (the first week's color shows in 1967 originated from Cypress Gardens) and a renovated facility in Philadelphia's Independence Mall.

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